STRIPMALL
Pratt Institute Thesis
May 2022
**Overview:**
STRIPMALL NYC is a thought-provoking exploration of modern American consumerism, presented through a comprehensive guide that navigates the form and content of products in the art world. This thesis critically examines the intersection of art and sustainable consumption, offering insights into how contemporary practices can redefine consumer experiences and foster a deeper connection between creators and consumers.
**Conceptual Framework:**
The title "STRIPMALL" serves as a satirical commentary on American consumer culture, evoking the image of a physical space where consumers and sellers congregate to exchange goods. Through this lens, the thesis analyzes the dynamics of consumer behavior and the implications of mass production, questioning the value placed on art and creativity in a marketplace driven by consumption.
The guide invites readers to reflect on their purchasing choices and consider the impact of sustainability in their consumption habits. By highlighting artists and brands that prioritize eco-friendly practices and ethical sourcing, STRIPMALL encourages a shift toward more mindful consumption in the art world.
**Content and Experience:**
STRIPMALL NYC combines insightful analysis with engaging visuals, providing a rich consumer experience that emphasizes the importance of sustainability in artistic expression. Each section delves into various facets of consumerism, including the role of branding, the significance of material choices, and the evolving definitions of value in art.
The guide also features profiles of contemporary artists and collectives that embody the principles of sustainable consumption, showcasing their innovative approaches to creating art and products that resonate with conscious consumers. This not only elevates their work but also cultivates a community of like-minded individuals who appreciate the intersection of art and sustainability.
**Conclusion:**
STRIPMALL NYC is more than just a guide; it is an invitation to rethink our relationship with consumerism in the art world. By blending critical analysis with artistic exploration, this thesis encourages a dialogue about the future of consumption and the potential for art to inspire meaningful change. Join us in navigating this vibrant landscape, where creativity and sustainability converge in a powerful commentary on American consumer culture.
STRIPMALL NYC is a thought-provoking exploration of modern American consumerism, presented through a comprehensive guide that navigates the form and content of products in the art world. This thesis critically examines the intersection of art and sustainable consumption, offering insights into how contemporary practices can redefine consumer experiences and foster a deeper connection between creators and consumers.
**Conceptual Framework:**
The title "STRIPMALL" serves as a satirical commentary on American consumer culture, evoking the image of a physical space where consumers and sellers congregate to exchange goods. Through this lens, the thesis analyzes the dynamics of consumer behavior and the implications of mass production, questioning the value placed on art and creativity in a marketplace driven by consumption.
The guide invites readers to reflect on their purchasing choices and consider the impact of sustainability in their consumption habits. By highlighting artists and brands that prioritize eco-friendly practices and ethical sourcing, STRIPMALL encourages a shift toward more mindful consumption in the art world.
**Content and Experience:**
STRIPMALL NYC combines insightful analysis with engaging visuals, providing a rich consumer experience that emphasizes the importance of sustainability in artistic expression. Each section delves into various facets of consumerism, including the role of branding, the significance of material choices, and the evolving definitions of value in art.
The guide also features profiles of contemporary artists and collectives that embody the principles of sustainable consumption, showcasing their innovative approaches to creating art and products that resonate with conscious consumers. This not only elevates their work but also cultivates a community of like-minded individuals who appreciate the intersection of art and sustainability.
**Conclusion:**
STRIPMALL NYC is more than just a guide; it is an invitation to rethink our relationship with consumerism in the art world. By blending critical analysis with artistic exploration, this thesis encourages a dialogue about the future of consumption and the potential for art to inspire meaningful change. Join us in navigating this vibrant landscape, where creativity and sustainability converge in a powerful commentary on American consumer culture.